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Synopsis It is a treasure document enlightening the various stages of development of Mathura art from its earliest times. Introducing the socio-cultural background from the pre-historic times it furnishes a valuable account of the archaeological explorations and expeditions in the region since the first antiquity saw the light of the day in 1836. Indigenous by birth, the Mathura School of Art flourished on the banks of Yamuna, reached its pinnacle under the Kushana patronage, continued in the Gupta age followed by Medieval times, thus dominating the entire Northern India for more than five centuries leaving behind imprints to be followed by the succeeding art styles. The type of stone and style changed with time and it did get influenced by its contemporary School of Gandhara once, but its exclusiveness remained down the ages. Beside the analytical assessment of the folk art tradition of early terracottas and yaksha cult, Dr. Sharma brings to light for the first time the salient features of the evolution and development of Mathura sculptures on various themes including Jaina, Buddhist and Brahmanical. The book is an uptodate document of new researches, fresh arrivals and latest reorganisation of the Museum’s galleries. The coloured and black & white illustrations in this book speak of the display of rich Mathura art in the Museum. The Index to the Exhibits will facilitate in spotting the description of a specific object quickly. Important sites have been located on the City and District maps and situation of galleries and ancillary units of the Museum can be found on the Gallery Plan. While the visitors will find the book a very remunerative companion during the Museum round the scholars will equally be benefitted through the prolific research material it reveals.