Siva in Indian Art
Sivas Iconography is of seminal importance in the history of Indian Art. The present work Siva in Indian Art, for the first time, presents an exhaustive study of the impact of mythology on the iconography of Siva from the earliest to the 16th century C.E. The author compares the Saiva sculptures of Andhra with their counterparts belonging to the other schools of art like the Pallava, the Chalukya the Chola, the Rahtrakuta, the Kalinga and others of South India which makes the work authoritative and exhaustive.
Further the study also throws fresh light on the iconographical evolution of different forms of Siva, besides their physiognomy. The forms of Siva are grouped as Nrityamurtis, Samyuktamurtis, Samharamurtis, Anugrahamurtis, Saumyamurtis and Pratyekamurtis. Being a serious research work this is very valuable for the history of iconography of Siva and serves as a beacon for further research in this field. With over 100 illustrations this is an essential book for anyone interested in Indian art.
Contents: 1. Introduction. 2. Nrityamurtis. 3. Samyuktamurtis. 4. Samharamurtis. 5. Anugrahamurtis. 6. Saumyamurtis. 7. Pratyekamurtis. 8. Epilogue. Glossary. Bibliography. Index.
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