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T.N. Rajarattinam Pillai: Charisma, Caste Rivalry and the Contested Past in South Indian Music
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Sentiment Analysis of Music using Statistics and Machine Learning
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Failed Masculinities: The Men in Satyajit Ray’s Films
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Dramatic Concepts: Greek and Indian
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Indian Music
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Mohiniyattam: Training and Performance (A Study Based on Natyasastra)
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Rescurrecting Durbal Indian Art Forms
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Tabla: A Quest (A Theoretical & Practical Guide) With Notations (Part-1)
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Mohan Khokar: The Father-figure of Indian Dance History
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The Bachchans: A Saga Of Excellence
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Modernities and the Popular Melodrama: The Suchitra–Uttam Yug in Bengali Cinema
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Indian Classical Music, Mapping of Kolkata
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Ragas in Indian Music
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Compositions of Muddusvami Dikshitar: In National and International Scripts: Devanagari & Roman with Meaning and S R G M Notation in English
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Encyclopedia of Folk Music (In 5 Volumes)
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Mind & Music: Demystifying the Thumri Maestros
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Maps of Sorrow: Migration and Music in the Construction of Precolonial AfroAsia
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Indian Classical Music: A Sequential Guide to Ragas
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Mudra: The Language of Kutiyattam, Kathakali and Mohiniyattam, The Classical Theatre and Dances of Kerala: Notations of 1341 Hand Gesture
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The Innovative & Prevalent Ragas and Talas (In North Indian Classical Music)
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John–Ghatak–Tarkovsky: Citizens, Filmmakers, Hackers
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Through the Lens, Brightly: Women in Cinema, Women at Work
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Satyajit Ray: The Masestro In Black and White
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Melakarthas: The Gems of Carnatic Music (Part 1: Ragas 1 to 36)
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Melakarthas: The Gems of Carnatic Music (Part 2: Ragas 37 to 72)
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Gotipua Dance and Odissi Music: A Glorious Tradition
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Geet Gawai: Bhojpuri Folk Songs in Mauritius
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